Fake Selves and Real Grief: On Nicky Beer's "Real Phonies and Genuine Fakes"
Nicky Beer begins her newest poetry collection Real Phonies and Genuine Fakes with an epigraph from Bjork: Don’t let poets lie to you.
Point of Reviəw: CORP’S. BRIBERY DEMANDS CORP’S. PUNISHMENT
The corporate culture of the Cleveland Electric Illuminating Co. is alive and well.
What America Is: On Michael C. Steiner's "Horace M. Kallen in the Heartland"
The debate over nationalism, multiculturalism, and how diversity affects national identity isn’t new.
Looking as Discourse: On Witnessing
Where I’m from, being a witness isn’t always safe or easy.
The Suppression of the Body: On Ella Baxter's "New Animal"
Ella Baxter has emerged with New Animal, her debut novel about Amelia, a woman lost amid fraying personal relationships and newfound grief.
All Have a Voice: On David Yezzi's "More Things in Heaven"
Contemporary poetry is haunted by what Keats called, in reference to Wordsworth, the “egotistical sublime.”
from Suzanne Ohlmann's "Shadow Migration"
As a member of the St. Olaf Choir, I spent a lot of time on concert stages in a purple velvet robe, nude hose, and a pair of black, smelly flats—smelly because all the women’s shoes traveled in the same trunk from tour venue to tour venue, to limit the risk of someone violating the strict dress code during performance.
The Persistence of Little Words: On Claire-Louise Bennett's "Checkout 19"
It would be easy to say Claire-Louise Bennett’s second novel, Checkout 19, is a love letter to books.
A New Silent Grammar: On Solmaz Sharif's "Customs"
Solmaz Sharif’s spectacular sophomore collection, Customs, is filled with crushing poems that carry weariness, rebuilt and disrupted again and again.
"Joy, said Grandma, is Resistance": On Miriam Toews' "Fight Night"
It should be surprising that Fight Night, Miriam Toews’ eighth novel, is touted as a “feel good” book—the L.A. Times calls it the “Ted Lasso of novels, for better or worse.”
StudyMe: If You Want to Talk About Discovering Some Shit
I first met Donald Black, Jr. (a.k.a. D. Black) in November of 2010.
from Jason Kapcala's "Hungry Town"
The municipal fire alarm sounded, and the town of Lodi stirred.
The Photographic Moment: On Kate Palmer Albers' "The Night Albums"
“Breathe normally,” the nurse says to me.
Not Only, But Also: On Ari Banias' "A Symmetry"
The title of Ari Banias’ second collection of poetry is pliable, suggesting opposing meanings if you squint: “a symmetry,” or “asymmetry.”
From Generation to Generation: On Sheila Heti's "Pure Colour"
Sheila Heti’s Pure Colour begins with a nameless narrator explaining that God, after creating all of existence, stepped back from the canvas of creation to contemplate his work, and that this moment of contemplation is the one in which we are all living.
StudyMe: The Art of D. Black and Survival Strategies of a Black Artist in Cleveland
Some of my most cherished conversations are with the artist Donald Black, Jr., also known as D. Black.
from Valerie Hsiung's "outside voices, please"
I don’t know how would you even describe this take?
"Filled with Longing and Rage": On Brendan Joyce's "Love & Solidarity"
I first read “Love & Solidarity” as a blurry EPUB on my phone, in spare moments snatched from my shifts at one of America’s largest retail chains.
In Search of Self through the Other: On Domenico Starnone's "Trust"
The premise of Domenico Starnone’s novel Trust—a teacher’s life-changing affair with his former student—might suggest to the wary reader a familiar story of predator and prey.