A Spring Flows Only Sparingly


There was cruelty in the pits there were

Grace notes connoting invisible
Satisfactions there was a cloud 

Of purple exhaust glittering with

Fossil flowers & the looming 

Silhouettes of yet-to-be evolved birds.
There was a voice sharing certain

Disruptive calculations there were storms

Moaning over the birches wet with fatigue.

What was given was water was pain 
Befitting the gods, what was monstrous

Was the pleasure of in-

carnation seeking its student the willing air.

& all around us the snakes
Curled up into ropes of dead 

Manna, here where it was 

Certain that though less 

Than shades we were
Possessed of an amorous &

Annihilating vision.

There was the sheet of white 

Paper we fashioned into a universal
Prothesis, there were dogs we kept

Awake with the sounds of Russel

Leibniz Nietzsche, there were roaches

Whose eyes were larger than you’d
Expect & that shined with a chitinous 

Affection surpassing description.

& “I” in the hundred grasses was

In simply speaking the aromatic font
Of all image, all light. 

& in the music of those

Vapors the color 

Of rabbit’s blood the soul in its 
Narrowness gave voice to the coming disaster. 

I was down, I was lying 

Down, I was draining the head 

Of reason, I was 
In the river myself an open 

Mouth a conglomerate

Of wind & glimmering ink.

There was a pearl there was a liquid

Face implied in it, there was a voice
In the wind that by means of the air’s

Chemical music peeled the false

Surface from the day 

To release our love.

& all that was needed
At the end of this game

Was for the remaining bars

Of the dream to pursue us

Out of the dark of the summer’s unfastening
Into the flower of the angel’s demands.

There was a violent dream there was a weary head

Advancing, 

Red phalanx, cold star, 
There was the sigil we’d dubbed “The tongue's advanced

Affections,” & there was the bell

Of a lone trumpet held precariously

Out of the sea

Michael Joseph Walsh

Michael Joseph Walsh is the author of Innocence (CSU Poetry Center, 2022) and co-editor of APARTMENT Poetry. His poems, reviews, and translations have appeared in the Brooklyn Rail, Denver Quarterly, DIAGRAM, Guernica, Fence, jubilat, and elsewhere. He lives in Philadelphia.

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Even When You’re Not Playing, You’re Playing: On “Critical Hits”