Departing from the Standard Solo: On Brenda Miller and Julie Marie Wade’s “Telephone”
This book, then, is a challenge to the status quo, and its lyrical diptychs prove the collaborative enterprise to be a success.
The Rough Edges of Identity: On Kyle Carrero Lopez's "Muscle Memory"
Sometimes the interesting stuff happens at the edges, where categories bump and scrape against each other.
Kaleidoscopic Structures: On Ling Ma's "Bliss Montage"
Ma takes these mundane episodes and turns them into dreamscapes of subtly fractured logic and absurd literalism.
Fiction of Our Climate: On Kim Stanley Robinson's "The Ministry for the Future"
Because inequality threatens stability only in certain political systems, and because people can’t agree on morality, inequality by default becomes considered an economic rather than a political or moral problem.
"PHOTO OF A PHOTO OF A DEAR IN THE DUNES" by Adam Fell
You were born from the light barricaded inside our nation’s fading grace // Someone always placing hands on you //
Amor Fati: On Selina Mahmood's "A Pandemic in Residence"
As an Emergency Medicine resident working in NYC’s ERs, for me, fear is no longer the dominant emotion that COVID provokes.
Meaning at All: On Emily Hall's "The Longcut"
The resilience needed to seek instead of believe, an author imbibing the world and the self openly, this is what impresses most in Hall’s debut.
Shooting at Nothing: An Interview with Ander Monson
For his new memoir, Predator, Ander Monson watched the eponymous 1987 action flick 146 times.
A Light Artist
The ambulatory novel—positioned as it is between the flaneurial and the loco-descriptive—is generally a solitary affair.
The Best Pieces from Different Skeletons
Of the five million people who walk through the doors of the American Museum of Natural History each year (pre-pandemic figure), few probably give much thought to Kansas.
Excavating Memories: On Suzanne Roberts’ “Animal Bodies”
“The essay is a transgression,” begins Suzanne Roberts’s collection of personal essays, Animal Bodies.
People, Power, Property: On Henri Lefebvre’s “On the Rural”
Agronomists study the quality of soil: its water retention, mineral and nutrient content, the presence or absence of chemicals.
Minding the Mindless: On Jordan Castro's "The Novelist"
In the early days of the COVID-19 pandemic, Twitter was very excited to share that, under his own quarantine during the bubonic plague, Shakespeare wrote King Lear.
"Next stop Armageddon": On Cees Nooteboom's "Leaving"
The English edition of Leaving: A Poem from the Time of the Virus, originally published in Dutch, is a collaboration between the poet Cees Nooteboom, the translator David Colmer, and the visual artist Max Neuman.
Re-Sparking Spatial Imagination in the Great Lakes Megaregion
Since at least the French colonial occupation of the 17th century, the Great Lakes Megaregion (GLM), that grand region spanning the middle of North America including parts of both the US and Canada, has maintained an unprecedented network of production and exchange of global importance.
To Articulate that Confusion: On Brad Listi's "Be Brief and Tell Them Everything"
Brad Listi’s novel about a guy named Brad Listi writing a novel opens with a confession: “This book took twelve years to write.”
Still Experiencing the Reverberations: On Kevin Boyle's "The Shattering" & Michael Schumacher's "The Contest"
Any nonfiction writer who undertakes to describe the past always face a preliminary methodological question: How to slice the pie.
Mother Tongues: On Yoko Tawada's "Scattered All Over the Earth" & Jessica Au's "Cold Enough for Snow"
Two new books revolve around one place.