Where the Mind Really Wants to Go: on Sara Nicholson’s “April”
There is a Beguine spirit in renunciation. But without a God for whom they can gouge their eyes out, Nicholson’s speakers become not separate from the world, but marked by it. They let it in with a private sense that they may not really be of it.
Divine Reading: A Conversation with Sara Nicholson
Poetry is, or should be, a kind of thinking; it’s nothingness’s kingdom, where everything is possible. I use poetry to find out what I think.