
RITUAL 2: MIRROR
In the days of
enclosure anything
is a door. Each living
room pulsing
held in the forcefield of the
screen: sitcoms (syndicated)
sponsored content
sports non-stop
war
in some houses
a large mirror
is placed
near the screen
which makes the windows
shimmer sharp like an artificial lake
and the residents
doze while the room
levitates
But none of these
doors will take you
outside
we’re here
in holding
to be
kept safe
from the violence
we distributed
and forget the
hard pleasures—
sunrise broken open
against rowhome
roof matchbox town
still and stretched
before us
yolked in
egg tempera
dripping with light
leaking it
like orange
juice slipping off
the edge of a table
now there is
no possible dawn
and the terror
accretes
in our teeth
becoming
Music, Television,
and Film
HOLDING
that water-logged
feeling in the legs
as you ascend a rusty
platform climbing up
into the ashcan
sky an airplane de-
constructing in mid-
air neither winter
nor summer just the
atmosphere holding
moisture and smoke as
some asshole
burns their leaves
in the distance
a light nosebleed
incandescent
red on my blue
hand
and the deer who
seem to know
something
Symptom creep. I be-
come organized round
the superstitions
of sleep a circle
of salt some crushed
Ambien to lead me back
down the stairs of
this psychic house
that exists everywhere
around the real
house metastasizing each
night I map its infinite
wings with my mind
and my mind
does not go
the river is on fire
and its weeping and
sweating is on our walls
they say don’t wipe it
or–
it’ll get into the air
but we wipe they’ll say
this is happening
because you let others’
feelings penetrate
your body but also, you
bc are a bitch down
towards the concrete
slab level of reality the
stairs are burning
and above,
they also
burn
I let the river
inter-
penetrate
my heart
and my liver
is dotted with
powdery white spots where
once there was water
now there
is—
not knowing
the house and my
mind my mind and
the house in the hours of not-being I
shepherd the mice
into the crawl space
they warn me to
be more shrewd and a
little stingy
don’t give too much
to experience
and also to chew through
the water heater wiring
and down into
the lobby
of the
bank that loaned us
all that money on
fake liquidity awake under the smog
of pills someone says
you’ll own nothing and
you will be happy
and further down into the living room
where the eight-foot waves
lap at the bay window down
into the master suite
a couple
like us in
bed both
visited
by ghosts
all the while the stairs
burn and burn like
a masterpiece like
a poem which has only
ever been an argument
another level down
my foot mistakes
something skittering
for a roach, but it is a frog
and it asks me what does
it mean to own anything
at the end of property
what does it mean to
write poetry at the sunset
of literacy
Laura Jaramillo
Laura Jaramillo is a poet and critic. Born to Colombian parents in Queens, New York, she now lives in Durham, North Carolina. Her books include Material Girl (subpress, 2012) and Making Water (Futurepoem, 2022). She holds a PhD in critical theory from Duke University. She co-runs the North Carolina-based reading and performance series Paradiso. She is a freelance developmental editor and offers writing and theory workshops that reflect her interest in experimental education models for adults.