
The follow-through’s turn
When I say mourning
I mean I am freighted
With exemplarity. Examples: candies
This permanent tracking shot Running
come mirrors come televisions come exemplarity
today I am done I am come on either side
to greet this road and also, this road
Is allergic to exemplarity and I must
Take this road from every example
Even if these examples are the document
Of my life and every one I loved. Getting to pack now
Or now. Getting to the place of plotters plotting
An imaginary for me. They love me. They say
The future instantiates itself in post-death
But I’m running a break in the road. I’m turning
The radio onto the track of the radios, I’m turning
What made
My friend
I’m running the future back
To that instantiated future of the made
What made
My friend
My teacher?
Capacity
When I write
To the place
Where airy
Brooks danced,
I am not
Pointing
To memory
But rather
The place where memory
Did not visit me.
Do not go to the place
Where memory visits
Or does not visit me. Look, a directive
A preposition
A disposition
A position
How will
I move from
The place
Where memory
Made a tool
Of me?
And how
Should I be
Certain, this
Time, to
Know, my friend?
It’s Now Ataraxy Forever
It was a display, that beautiful screen
That held Hell up to me that day. Open it spoke
To me in child words: You are the sole
Auditor to the display-screen. Coffered means
Adorned, but I hear a sound. I never heard my friend is.
Coffered is the ceiling of the room
Where he spoke to us. It was the room after
He spoke to us. I printed my name.
Katherine Franco
Katherine Franco is the author of Displays (Pilot Press, 2023) and a PhD student at the University of California, Berkeley.