after Rutherford Chang
track 1
“I listen to the White Album every day.
I ‘collect’ only White
Albums.
I bought my first White Album at a garage sale in Palo Alto for $1 when I was 15 years old.
My exhibition is set up like a record store with the albums arranged in bins by serial number, and visitors are invited to browse and listen to the records.
Except, rather than sell the albums, I am buying more.
I’m most interested in the albums as objects, and observing
how they have
aged.
I often find the “poorer” condition albums more interesting.
Every copy
tells a story, an imagined history
based on the condition of the
album.
At the end of the exhibition I will press a new double-LP made from all the recordings layered upon each other.
It will be like playing a few hundred
copies
of the White Album
at once.”
track 12
While recording “Revolution,” John kept getting hung up on a particular lyric. After the line “but when you talk about destruction,” he could not decide whether he wanted to sing
“don’t you know that you can count me out,”
or
“don’t you know that you can count me in.”
Paul later said, “I don’t think he was sure which way he felt about it at the time.” On the White Album version of the song, John sings both.
Danny Caine
Danny Caine is the author of the poetry collections Continental Breakfast, El Dorado Freddy's, Flavortown, and Picture Window, as well as the books How to Protect Bookstores and Why and How to Resist Amazon and Why. His poetry has appeared in The Slowdown, LitHub, DIAGRAM, HAD, and Barrelhouse. He's a co-owner of the Raven Book Store, Publishers Weekly's 2022 bookstore of the year.
