Any one of us, faced with the comparative achievements and status symbols of the upper classes, can be overcome by a sense of envy and the unfairness of the world. There is always someone richer and more entitled who seems to have it all figured out.
Societally, there is a seemingly collective remorse for the treatment of women, but these memoirs are still, in ways I find unique to those of many other celebrity women, illuminating some of our culture’s most persistently problematic approaches to sex and sexuality.
Waste is what an artist is and wants: too much. An abundance. It’s what we work to shape, what we can’t handle, what we haven’t yet made plans for.
Except, rather than sell the albums, I am buying more.
The future novel resides with the fans. It will not be written from above or outside. Literature belongs to the davenport.
To even be suspected of treasure—to be indistinguishable from those who possess treasure—is to become a target. This is the lesson of the oyster.
do we live here — wedreamstories
scenesbutwedontlivethem (Notley) — or here — ppleatcronuts
frankoceanieatbusily
betweenyourlegs (Chang)
To squabble over genre would be to take away from the very potent delight of these kinds of tales: a capacity to traverse an enormous affective range, to play lightly at the surface of life and to sink to tragic human depths.
A US readership may be seeking the right kind of palatable challenge to their aesthetic and intellectual views, a challenge that will change them, but these poems are after something different.
There was one literary magazine that made you write “THE END” at the end of your story, to signify that when the writing was done, when there were no more pages or writing, it had ended to these idiots or robots.
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