His voice bends and gurns beneath their insuperable burden and yet can only articulate its ignominy since it finds furrowed in each caesura a clinamen: an irreducible chink in its cage that may turn its convulsions into a tarrying.
Writers, like lone gunmen, are compulsive worldbuilders. They write their own past, present, and future. DeLillo has described himself as a man in a small room.
An error in the game was the realest feature. It formed a foundation. The developers thought how American. How reckless.
There’s a good case to be made that this is the least translatable German book of the last century.
The film cannot be said to be interested in persuading anybody of anything.
Queering the relationship between form and genre, troubling the notion of what makes a novel, working through questions of queerness and bodies and desire and space and language on the page.
I left the bank fully and completely realized as ELVIA INC, annual projected revenue: one million dollars.
The value of lived experience, an epistemological commodity I was assumed to have in quantity.
American cinema is nothing short of the dramatization of the desires and fears of an entire people.
If you have one hour and you write for that whole hour, suddenly there is a book or at least part of a book, and when you have part of a book, you can always finish it.
You're a man now, I'm your blanket.