from “Common Life”
MANON: If this keeps up,
THE WRITER: says Manon, who looks at the sky, which is not letting up at all, not lightening anywhere,
MANON: Because it looks like it’s going to keep this up.
from “Color Capital of the World”
Sandusky carried a raw and pallid three-season grayness of any small-sized Midwestern industrial town, but I knew we still carried the title Color Capital of the World. The hard part was that no one in the present world remembered the distinction.
“sailor, oh, sailor”
There were two ships that passed & made it safe to shore
I want to stop using metaphors for the things no one wishes to hear
from “Better Davis and Other Stories”
Jim watched the television in the waiting room of Dr. Mallory’s office while he waited for his test results. Something was playing on a loop on the screen.
from “BIRD/DIZ [an erased history of bebop]”
Today I'm gonna escape my body in public. I'm gonna ask you to luxuriate in a sound that feels like a fabric and drool and baby, tell me that's not home? Talk wrong and call that praise.
from “Speak in Tongues: An Oral History of Cleveland's Infamous DIY Punk Venue”
It came and went like a dream, as all good things do.
from “Familiar”
It isn’t as easy as it sounds
Talking to dead people
And living people simultaneously
While attempting to be more
Than a cell phone tower
from "ryman" by Christian Schlegel
number one i hadn’t understood the importance of ambient light in the installation of the paintings in a narrow corridor that’s dimly lit fantastic
from "Out Here on Our Own" by J.J. Anselmi
This one night, I’m not shitting you, we saw our friend—everyone called her Tex Ass—throw a guy right over a car. Just right over the top of it.
"Provider" by Dan Rosenberg
Sometimes, friend, you hold
the knife. And sometimes, under a silence of wings
and empty light, the knife just won’t be held.
"PHOTO OF A PHOTO OF A DEAR IN THE DUNES" by Adam Fell
You were born from the light barricaded inside our nation’s fading grace // Someone always placing hands on you //
“The Weeds In This Garden” by Kari Gunter-Seymour
Long ago, I built a self outside myself. / I ate what my family ate, answered / to my name, but when they said let us pray, / I kept my eyes open.
“Moving in Together” by Phoebe Glick
I am not what you want for. I am a shadow / Built to remind you of what you need.
from "And Yet"
Most patients aren’t in as dire straits as the narrator of “Car Crash While Hitchhiking,” no. But due to embarrassment or fear of being judged, lying to one’s doctor is prevalent.
"Next Door" by Brad Richard
A woman checks her chicken coop at dawn / then posts the horror that she found: “Headless.
Looking as Discourse: [from] These Late Eclipses (Strickenfield)
Nothing to stand on, nowhere to be: the calving of an internal interval.
from Suzanne Ohlmann's "Shadow Migration"
As a member of the St. Olaf Choir, I spent a lot of time on concert stages in a purple velvet robe, nude hose, and a pair of black, smelly flats—smelly because all the women’s shoes traveled in the same trunk from tour venue to tour venue, to limit the risk of someone violating the strict dress code during performance.
from Jason Kapcala's "Hungry Town"
The municipal fire alarm sounded, and the town of Lodi stirred.
from Valerie Hsiung's "outside voices, please"
I don’t know how would you even describe this take?